Thursday 20 January 2011

Teacake





"Teacake is something quintessentially British, inventive and conscientious. We love visual organisation, people, places and the idea of creating a tangible interaction with those who see our work. This has subsequently led to us having a strong affiliation with design for print and a passion for typography inspired by time spent working in the design capital of the world, Amsterdam. Our partnership is based on a mutual love for all things creative and an ambition to be able to whistle while we work every day of the week!
We aim to deliver a personal design service in an open, honest and friendly manner in order to communicate your message in the most effective way possible. Moreover we are committed to engaging the public with worthwhile causes and creative projects that aim to benefit the community as a whole.
Our services include the concept, design and realisation of identities, stationary, publications, posters, flyers, press advertisements, exhibition graphics and wesbites. Having contributed to a number of exhibitions we also provide lectures and workshops at a number of educational institutions across the country. Our commercial expertise have lead us to deal with organisations both big and small, established and emerging."

Teacake Design
A 321 Quebec Building
Bury Street
Salford
Manchester
M3 7DU

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- Teacake looks like exactly the kind of studio I should be introducing myself to. It's located in Salford which is within reach to me from home near Huddersfield.
- They have a really good looking portfolio of work on their site with a lot of exciting and non-standard print based work which really appeals to me.
- Teacake also have a kind of quirky British vibe going on which gives them a fun and friendly atmosphere as somewhere that would be easy to approach.
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nousvous






Nous Vous (We / You) is a collective based in London and Leeds, UK. We work as designers, illustrators and artists on a range of projects. We are interested in close collaboration and can be commissioned as a group or independently, depending on the project.

To see individual work, please follow the links to each person's website.

info@nousvous.eu
www.nousvous.eu

Nous Vous London
Floor 3, Ilex Works
10 Northwold Road
Stoke Newington
London N16 7HR

Nous Vous Leeds
Enjoy Studio
Unit 22b, Mabgate
Leeds LS9 7DZ

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- Nous Vous seems to be a different kind of set up compared to other studios I have looked at. It appears to be made up of more independent designers and illustrators that collaborate of whatever projects come up.
- They are certainly more illustration based than other places I've researched into but my drawing and illustration skills are things I want to maintain and improve as they will be complementary skills to have for my focus on print based work.
- I really like how Nous Vous have combined their strong illustration background with more professional and marketable graphic design work.
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Monday 17 January 2011

Enterprise and Innovation Task 5

Proposed position statement

Write 10 short but informative statements that define your distinctive 'positioning' as a Graphic designer:


- I aim to produce work which has content that I believe in and am interested in - and then make other people feel the same way about it.

- I think I'm more content to be sat with a pen, pad of paper and some coloured markers than at a Mac. I feel I have strong idea generation underpinned by solid drawing skills which help me to communicate my ideas and concepts.

- I'd like to produce varied work for a wide range of clients from local to international and business to non-profit organisations.

- I'd like to weave my interest for travel into my career and work abroad in 'design hubs' such as Berlin and Tokyo and pick up influences and experiences that could shape the work I produce.

- I'm somebody who likes to be informed. In terms of what is going in the news and daily life, but also about the subject that Im working with and will take time to understand the needs of each individual client.

- I want to become a versatile designer with a wide skill set that will help me become flexible and allow me to adapt to clients needs.

- I have a particular interest in design for print and specialist stocks and finishes. But I would relish working across many media platforms such as products, digital and interiors etc.

- I want to produce my work through many different mediums such as  illustration, digital, type, photography, collage and screen-printing etc. 

- I want to keep working in a fresh and innovative way through many different areas such as promotional/branding, publishing/editorial, retail and travel.

- I believe that it's essential for my work to retain two key qualities for it to be successful - it must be easy and interesting.

Saturday 15 January 2011

Enterprise and Innovation Task 4

Who else is out there? - How good are they?

Who am I competing against? / What do they offer?
Evaluate the strengths and weaknesses of three practitioners or design agencies as objectively as you can.

I Love Dust :





















Strengths - Work across many different types of media eg. Illustration, Graphics, Products, Type, Animation - this makes them very flexible and adaptable to wide variety of clients. They collaborate in-house and with global brands.
Weaknesses - It's difficult to pin point any weaknesses with I Love Dust... they cover many areas of design in a slick and polished manner. Their work is mostly for a modern, younger audience, perhaps lacking more traditional aspects - but do they even need to have these?
Opportunities - Further expansion, look into new media eg. Apps / more moving image etc
Threats - Competitive design scene in London, need to work hard to maintain presence against rivals.
Other - A great 'all round' design agency' with a wide variety of work that is really well considered and presented.


Ice Cream For Free :





















Strengths - Distinctive collage and illustrative based style, strong identity, big clients established already such as Adidas and Wired Magazine.
Weaknesses - Specific style could theoretically be limiting but at the same time it is ICFF's unique selling point.
Opportunities - Expand into other areas such as products, moving image etc? Still a young company - only been in existence for 5/6 years and so probably room for further expansion.
Threats - Threats would come from more 'all round' design agencies but ICFF's style seems to have caught attention very quickly and so clients are likely to be confident in the result they will get from them. 
Other - A relatively new and unique design agency based in Berlin, Germany, with a strong and recognisable identity.


Raw :














Strengths - An 'all round' design studio that works across many media platforms such as illustration, type, web, printed media. Use traditional and modern processes. Keen to appreciate individual clients needs.
Weaknesses - Difficult to pin point a particular weakness. How does the Manchester design scene (where they are based) compare with London?
Opportunities - Keep up with developing technology .. apps etc? Chase some big name clients.
Threats - Need to maintain a strong presence in competitive design scene.
Other - "We create thoughtful pieces of design and creative communications, with a focus on craftsmanship and collaboration." - This sounds like me!


What makes me better? / What makes me different?

When evaluating working professionals and design agencies and then comparing yourself against them, it's difficult to make a snap judgement and see where you are better or different to them but it's too easy to say that what you can offer is already being done.
The only thing that really makes me different is me - my ideas, my thoughts, my interests and my opinions. I think it's important for me to do what I enjoy and work with subjects that excite me. A certain 'style' of work or a specialist area that I focus on could be established over time as I gain experience but I don't think it should concern me at this point. Many other designers out there probably may well already offer some of what I can, however, it will be in the way that I promote myself and convey my message and to whom I send it to that will make a difference.

Thursday 13 January 2011

Enterprise and Innovation Task 3

How will I promote myself?

What do 'they' want to hear? / What should I say to 'them'? / How will I communicate with 'them'?

When promoting myself to potential client groups I feel it's important to take a carefully considered but personal approach. I need to make myself easily identifiable to them, whether it be a local design agency or an international retail company. They need to know i'm a committed and organised individual and versatile as a designer, with a specific interest in design for print. I must also try and sell my best quality as a designer - which is my idea generation and developing concepts and ideas. I also think it's important to stress that i'm just as comfortable to be sat with a pen, some markers and a pad of paper as at a Mac since raw ideas heavily outweigh technical skill in my opinion.
Agencies and companies will want to hear that i'm interested in who they are and they will respect someone who has taken the time to inform them self of what they do and what they stand for. In order to communicate all of this to them, it's essential I choose the right methods in which to contact them and interact with them so that I reach the intended person with the desired message.
Direct mailing would probably be most applicable to me and it exists in many different forms. It can be cheap and convenient to send an email with a well presented pdf attachment featuring a few select images  of my work. However, considering my interest in printed media, it may be more appropriate and worthwhile in putting together a quality mail shot which could have more visual impact and is likely to be kept by the receiver as emails could end up being lost in someones inbox. Having a web presence is also very important whether through a blog or simple website so that anybody who is looking for me has an immediate way in which to view my work and get in contact.

Wednesday 12 January 2011

Enterprise and Innovation Task 2

Based on the principles that have been introduced so far in the Enterprise module, as well as the previous tasks, investigate, analyse and critically evaluate where your potential clients are located.

Identify four examples of your selected client group. One from each of the following - Local, National, European, Transnational. Use PEST analysis.



Local : Leeds Live It Love It Guide

Political Factors - The guide is funded directly through local government and Quango - Yorkshire Forward. Designed to promote and sell the identity of the city as a place to visit as well as inform those who live there.
Economic Factors - Struggling economy and low value of the pound make Leeds a more attractive destination for tourists. Lower level of employment over the past few years means that the features of the guide will be less applicable to city residents. The graphic design used would be better spent on targeting the tourist market.
Social Factors - Leeds is a large financial centre with a predominantly young, professional workforce with disposable income to spend on things featured in the guide. Graphic design used within the Leeds Love It Live It Guide must appeal to a demographic that appreciates quality. It's also a population that will be aware of green issues and it would be beneficial for the graphic design used to set a sustainable standard.
Technological Factors - The guide can be easily distributed in and around the city through a large number of council run outlets whilst a comprehensive internet version of the guide is being established online.



National : i (Newspaper)

"i is a newspaper for people who want a concise, intelligent daily briefing; a newspaper that shows you all the stories you really need to know, at a glance; a quality read for busy people in the modern world."

Political Factors - i is a sister paper to the Independent, which, as the name alludes is Independent from political bias. The graphic design used in this newspaper must be carefully considered as it has the ability to reach a large number of people on a daily basis and thus partially moulds the customers views and opinions according to how articles and images are presented.
Economic Factors - As the Independent already has a main paper and the launch of a new sister paper is a somewhat a risk - it's essential that the design of it reflects the right image in order to attract the specific demographic the paper is aimed at.
Social Factors - A newspaper is meant is cover an incredibly wide range of stories and so it's very important for the paper to have a layout that is flexible to incorporate whatever needs to be included in order to communicate a story effectively. Colour is also heavily used in this newspaper and unlike many others, it's mainly to increase its aesthetic appeal rather than just to draw attention.
Technological Factors - It's low price and concise nature and obvious selling points but newspapers face challenging competition from online news and media sources. However newspapers remain popular but it's design must be pitched right to hit the desired demographic.



European : G-Star Raw

"Since our creation in 1989, G-Star's philosophy has always been, 'Just the Product'. After more than twenty years of constant innovation, G-Star continues to push the boundaries, evolving our core DNA and challenging our designers to investigate new materials, styles and cuts - but always remaining focused on just the product."

Political Factors - G-Star is now essentially a global brand but is predominantly based in Europe from it's conception in the Netherlands. It's mainly a retail brand and so in terms of its products, it isn't really affected by government policy.
Economic Factors - The economic climate may affect its customer base as it is a high priced, luxury brand. But the company has begun to expand into a variety of other areas through its 'Crossover' scheme which will open up new markets.
Social Factors - G-Star has a strong core concept with a loyal customer base and over the past few years it has developed environmental and social themes into the company, including an organic cotton enterprise and a good standard of working conditions for employees involved in production etc.
Technological Factors - In order to maintain its position in the market and grow further it is necessary for G-Star to promote itself across a variety of media in order to attract the desired clientele. Eg. Internet, Apps, Magazine/Publications whilst retaining a strong identity in its original form - the G-Star stores.



Transnational : Wallpaper* Travel

"Wallpaper* City Guides present a tightly edited, discreetly packaged list of the best a location has to offer the design conscious traveller. Here is a precise, informative, insider’s checklist of all you need to know about the world’s most intoxicating cities.
Whether you are staying for 48 hours or five days, visiting for business or a vacation, we’ve done the hard work for you, from finding the best restaurants, bars and hotels, to the most extraordinary stores and sites, and the most enticing architecture and design. Wallpaper* City Guides enable you to come away from your trip, however brief, with a real taste of the city’s landscape and the satisfaction you’ve seen all that you should. In short, these guides act as a passport to the best the world has to offer."

Political Factors - When promoting travel and particular destinations, it is of utmost importance that information included and subsequently distributed is fair and accurate.
Economic Factors - As a company working in many places it will have to take into account the economic state of each individual country as exchange rates, population demographic etc will effect how the company promotes itself and the ability of its customers to travel.
Social Factors - The travel guides are targeted at a very specific customer base. People who enjoyed comfortable/luxury travel and the design of the guides must be right in order to attract this demographic.
Technological Factors - The city guides come in printed and internet based forms (i-phone app) as well as a website on wider travel themes and issues that aren't covered in the guides themselves.


Focus on one example and focus discussion on how the client's location and/or use of media will affect what you need to communicate to them and how you might go about doing this.

G-Star Raw :

G-Star Raw is an international fashion retailer that has it's headquarters in Amsterdam, The Netherlands. All of their graphic design is produced in-house and ranges from tags, labels and promotional material to their in-store retail displays.
When marketing myself towards a company such as G-Star it would be essential to show them that I'm a versatile and flexible designer that is comfortable working across multiple media platforms. I was particularly drawn to this company because I'm a fan of their ethos and what their brand stands for and this would be just as important for them to know as well as what Im capable of designing. Even though I like the company and if I was to be employed by them, it would be important for me not to 'sell myself out' and stick to my own thoughts and opinions and about what I want to design and try not to let a large business crush my style into something that has to stick to what they already do. For G-Star however, I don't think this would be as much of an issue since they appear to be very forward thinking and innovative in terms of their approach to design. They publish a beautiful, contemporary, quarterly newspaper that I'm a big fan of and am always eager to get my hands on whilst I also admire their more experimental angles they take in their 'Raw crossover' series which has seen them collaborate with high profile designers on new clothing lines but also one-off promotional vehicles and events.

Monday 10 January 2011

Raw Design Studio

RAW.
We create thoughtful pieces of design and creative communications, with a focus on craftsmanship and collaboration.
Ours is a simple approach: we take the time to get to know our clients, we do all that we can to understand the people they’re trying to reach, then we take what we know and create memorable, relevant pieces of work.
We look after the people we work with and we like to think that we make the creative process enjoyable for everyone involved.
The ability to deliver good ideas and strong design transcend sectors but most of our work tends to be within health, sports, Corporate Social Responsibility and communications for youthful audiences.





Raw Design Studio
The Engine House
Islington Mill Studios
James Street
Salford, Greater Manchester
M3 5HW

T: 0161 839 2260
F: 0161 839 9101
E: info@rawdesignstudio.co.uk

Saturday 8 January 2011

Ice Cream For Free

ICE CREAM FOR FREE™ is a berlin based design and illustration studio founded in 2005 by solo artist oliver wiegner. specialising in the interlacing of contrasting materials via collage, his work has been used by the likes of adidas, wired magazine, computer arts, as well as various clubs, djs and musicians. bubbling with ideas, ICFF™ is ready to go. don't hesitate to contact us for more information or project requests.




ICE CREAM FOR FREE™
lobeckstrasse 30-35
building c / studio 206
10969 berlin kreuzberg / germany

Friday 7 January 2011

Generation Press

Generation Press.
We've learnt a great deal about printing from our forefathers- but its impossible to know everything. We are always training, learning and developing new processes. This is so not just so that we can be better at what we do- its really about what we can do for our clients; in turn what that can do for theirs.
We also like to be challenged; we love jobs that aren't run-of-the-(paper)-mill; so don't be shy. We love to impress so you can.
We make Beautiful Print.
From Art Print to Look Book, address labels to travel brochure, high-end to everyday-each project is treated with individual care and attention. Even on jobs we could do with our eyes closed, we look carefully. We often ask questions and we sometimes advise, we never start without knowing exactly what you want, and we always aim for the highest standards. Its all in a days work.
We make Sustainable Print.
Its not just about sending great looking work out of the door. We have always run our business in a clean, ethical and sustainable way- meaning we care what happened before we started a job, whilst its in our hands, and what happens next.
That means we source everything carefully. We have an ethical framework of suppliers, meaning that all those we work with also share our principles.
Typically this means using FSC & recycled products but extends to the electricity we use (100% renewable), the coffee we drink (fairtrade) and also the milk that goes in it (local).
Working in an environmentally responsible manner informs everything we do, every decision we make.
Its not about compliance, its just always been our way of doing things.
No matter what the job- big/small/unusual/everyday- our use of advanced clean technologies combined with our archive of knowledge, years of experience and exacting supply chain- allows us do what we do best; careful print, in every respect.
We are both Modern and Old. Our 21st Century Heidelburg presses are housed in our 16th Century Grade 1 listed barn on a farm- we are surrounded by sheep and trees and its a mix we love ; and the view outside the window is a constant reminder of why we think beyond the here and now.

We are Generation Press.
Four generations of Thoughtful Business.





Generation Press. Manor Farm Business Centre, Poynings, Brighton
East Sussex, BN45 7AG, England. T: +44(0)1273 857449.

Thursday 6 January 2011

Two.Points.net

TwoPoints.Net was founded in 2007 with the aim to do exceptional design work. Work that is tailored to our clients needs, work that excites our clients customers, work that hasn’t been done before, work that does more than work.






VÍA LAIETANA 37
4ª PLANTA / DESPACHO 32
08003 BARCELONA
SPAIN

Wednesday 5 January 2011

Enterprise and Innovation Task 1

List of possible client groups that use graphic design in the development, production, distribution, promotion and communication of their products and services:

Retail -
Promotional material, Branding, Identity, Logo, Web presence.

Education -
Information Graphics, Campaign, Branding, Publishing.

Music Industry -
Poster/Flyers, Sleeve Artwork, Merchandise, Web presence, Promotional, Logo, Video.

Publishing -
Editorial/Layout, Printed Material, Promotional, Typography.

Healthcare -
Information Graphics, Campaign, Branding, Publishing.

Technology -
Promotional, Posters/Flyers, Packaging, Branding.

Film & TV -
Title Sequences, Adverts, Idents, Promotional, Video.

Charity -
Branding, Identity, Web presence, Promotional, Campaign, Information Graphics.

Travel -
Publishing, Guides & Handbooks, Maps, Information Graphics, Promotional Material.

Councils & Local Government -
Information Graphics, Web presence, Branding, Identity, Printed Material.

Business -
Branding, Identity, Business Cards, Web presence, Promotional.

Advertising Agencies -
Promotional Material, Printed Material, Web presence, Campaigns.


A particular area of interest for me is Travel. It's a subject I have a very strong and genuine interest in and has featured as the subject of a number of my projects throughout my Foundation year and Degree so far.


What skills do you have and how they relate to the needs of your client group?

I feel one of my best skills is my strong idea generation. Particularly when Im surrounded by other creatives and Im being questioned I find I can reef off numerous ideas connecting to the subject matter involved. When initiating concepts and ideas, I think Im very considerate and sympathetic to a clients needs and manage to keep this in mind throughout the development of a project. I also think Im a committed and organised designer with a developing technical level, in terms of understanding the industry and software for example - all of which is underpinned by strong drawing and communication skills. Finally, Im also an individual who likes to be well informed. I think this is of utmost importance in everyday life but also it would help me to react and understand things that confront me as a graphic designer.


What skills are needed and what skills do you want to develop?

It's essential to be able to understand the needs specific of every individual client . Whilst always retaining the importance of working within a brief, it's also equally - if not more - important not to dismiss your gut reaction to a project that would subsequently limit your creativity. It's necessary to be punctual, professional and reliable as briefs are often turned around to tight deadlines and so time management and a solid industry understanding are crucial to achieving this although these skills tend to come with time and experience.


What are your professional/creative aims and how do they relate to the needs of the client group?

When working in the field of graphic design, it has become clear to me from what I have read about other fellow designers and creatives that you must produce work with content, or a message, that you are passionate about - and then set about making other people passionate about it as well.
Travel/Countries/Cities/Maps - are all connected subjects that I have genuinely been interested in from a young age. These topics could lead to producing work surrounding City branding/ Guides/Handbooks/Maps/Information Graphics. Having a genuine interest in the subject of our work ultimately enables you to understand what you need to produce and be able to do it in a creative, fresh and effective way. I believe that any aspect of successful design must hold two essential qualities, it must be easy and interesting.

Stone Soup

Stone Soup is a creative agency with clients across Yorkshire and the UK. Founded in 1998, we help our clients increase sales, raise awareness or communicate key messages in the most effective way possible. This could be through brand identity, advertising, direct mail, websites and anything else that will achieve the best results.



Stone Soup
9 Barleycorn Yard
Walmgate
York
YO1 9TX
UK

+441904 673767
info@stone-soup.co.uk

Tuesday 4 January 2011

I Love Dust

We are ilovedust, a multi-disciplinary design boutique. We specialise in creative solutions from graphic design and illustration to animation and trend prediction.

We ply our trade in 2 contrasting studio spaces; one located in the heart of East London, the other on the tip of the south coast. Just a short stroll from the ocean and surrounded by the rolling Hampshire countryside, our south coast team enjoy a distinct vantage point working in a former butcher’s workshop. Conversely rooted in the heart of creative hub Shoreditch, our London studio thrive on the buzz and energy of the city in a converted tool-maker’s foundry. The blend of both environments provides us with a unique and inspiring perspective.

We mix some of the best British designers along with talent from around the globe.

We collaborate both in-house and with global brands, working together to create fresh, innovative design which makes up our award-winning portfolio.





ilovedust 
Southsea
The Old Workshop, 34 Middle Street,
Southsea, Hampshire, PO5 4BP

Tel +44 (0) 2392 851242

ilovedust Shoreditch

1st Floor, 74 Great Eastern Street,
London, EC2A 3JL

Tel +44 (0) 2070 336753

Email
hello@ilovedust.com

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- I really like the look of ilovedust. Particularly because they work across such as broad variety of areas, getting a placement here would enable me to try out many different things.
- Their illustration, print and typography work I find is really attractive and exactly the kind of thing i'd like to be looking to produce myself in the future.
- They are based across two different studios -- one in Southsea and one in London -- and it would be good to get a taste of the graphic design scene down south, especially in London.
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The Consult

The Consult is a brand design agency. Our work is focused, crafted and considered, but above all it's effective. We connect audiences with your brand and connect you with your audience.

Our work is as diverse as it is creative. We deliver considered communications to audiences across a range of relevant media including: brand identity, design strategy, annual reports, brochures, internal communications, advertising, direct mail, events & exhibition, online.




Gledhow Mount Mansion,
Roxholme Grove, 
Leeds LS7 4JJ 

Phone 0113 262 2700 / info@theconsult.com

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- The Consult are a local Leeds studio that have a very attractive portfolio of work.
- I also attended a talk by one of their designers who came in to Uni to deliver a short lecture on who they are and what they do which I found very interesting.
- I particularly like the simplicity and effectiveness of their resolutions and I had the chance to look through some impressive print work that they brought with them when they came to give the talk.
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